HHC Top 100 rap singles 10-1

#5&1 - Public Enemy

Download the top 10 here, all in one handy suitcase sized .rar file.

This is it; the grand finale. The Top 10 is here and some of you could probably guess its contents. Some of you will probably wonder why some tracks made it to the top, I believe they all can be justified; in this post I am going to write why I think each track deserves to be here.

10. Pharoahe Monch – Simon Says – 1999 – Internal Affairs (buy album here or tell me somewhere else where it's actually available and cheap!)
This track is here simply because there never was and never will be another track like it. Monch smashes this club hit that appeals to all kinds of hip hop fan and is guaranteed to make you hit the dance floor (even though you’ll never understand afterwards how it’s possible to dance to this).

9. House of Pain – Jump around – 1992 – House of Pain (buy album here)
It’s here because HoP managed to make a hard track with pop sensibilities, an amazing crossover tune with mass appeal. Not many acts manage to do it with credibility, even if you think you shouldn’t really like this you obviously do and I bet y’all do jump around when it comes on in a club.

8. Sugarhill Gang – Rappers Delight – 1979 – Rappers Delights (buy album here)
Erm…this doesn’t deserve to be here. Psyche! It’s the blueprint: samples (although they are replayed by session musicians), crowd involving party lyrics, boasting lyrics and story telling lyrics all in one hefty track. Where would we be now without this? Forget the controversy surrounding who released the first rap track and who actually wrote these rhymes and honour the Sugarhill.

7. Wu-Tang Clan – CREAM – 1994 – Enter the Wu-Tang (36 Chambers) (buy album here)
This is the anthem for all Hip Hoppers who are trying to make money and definitely the best and most well known acronym in the game and that is why it’s here. Oh and the amazing RZA track (his best?) and carefully thought out lyrics serve to flesh out the concept to perfection.

6. Dr. Dre – Ain’t Nuthin’ but a “G” Thang – 1992 – The Chronic (buy album here)
Why is this here?
a) It introduced Snoop to the world: good move Dre.
b) It’s all you need for cruising in the summertime.
c) This was innovative, Dre totally changed up the sound of Hip Hop all on his ownsome.
d) This is pure freshness…still, 15 years on.

5. Public Enemy – Fight the Power – 1990 – Fear of A Black Planet (buy album here)
The average Telegraph reader would maintain that rap music is mindless and repetitive. Are they right? Of course they’re not! Chuck D presents the idea that ordinary people are involved in politics as much as the politicians are, his methods maybe a little unorthodox (no lobbying, voting or letter writing; just fighting!) but his sentiment is important nevertheless. The subject here is still relevant even if the sound is dated. This track represents Hip Hops intelligence.

4. NWA – Straight Outta Compton – 1988 – Straight Outta Compton (buy album here)
So far we’ve had the underground breakthrough club hit, the party track, the original track, the money song, the summertime cruising song, the politically charged protest track and here we have the angry track in all its teen angst glory. This track needs to be here just for that reason.

3. Grandmaster Flash & The Furious Five – The Message – 1982
If I continue the theme of the comment on the last track then this is the track that has a message, it’s the reality rap, it tells it how it is, it is life in the Bronx documented on wax. This opened up a million and one opportunities for rappers to really open up and tell us how they were living. This tune was the nod of the head that gave the go ahead for MC’s to rap about anything they wanted to rap about.

2. Pete Rock & CL Smooth – They Reminisce Over You (TROY) – 1992 – Mecca and The Soul Brother (buy album here)
Yup, this track is an entirely different sort of track to all the others in the top 10. This is the reminiscing track about and dedicated to a single person (T-Roy). This track could have been sad and melancholy due to its subject matter. Instead the bouncy horn driven beat really is a befitting tribute to T-Roy (he was a dancer) because if this came on in a club you wouldn’t stop dancing to shed a tear, you’d carry on dancing wouldn’t you?

1. Public Enemy – Rebel without a Pause – 1987 – It Takes a Nation of Millions… (buy album here)
Go to your itunes and type 1987 in the search box. Listen to all the other tracks from ’87. Ask yourself this: Does ‘Rebel without a Pause’ sound like them? Then answer thus: No. You could also check every single rap track ever made and ask the same question and still come up with the same negative answer. If this is the best rap single ever to be released we would have to conclude that a good rap track should be sonically original and interesting, that the MC has to mean the lyrics he is spitting and that it should really break the mould as a whole. Personally that sounds like a perfect recipe guideline for how it should be done, all that needs to be added is the personality and vision of the chef.

Obviously just one track does not sum up rap music but after a quick scan of the top 10 and I think you’d all agree that the tracks encapsulate and portray the varied sounds and topics of rap music.

So there we have it; a full 100 rap tracks that you really need to own or to at least have heard. Hit me up with comments such as 'What no Jay-Z?' or 'What no Biggie?'.

‘What next for Certified Banger?’ I hear you (by you I really mean me) ask. Well I’ve got a few ideas lined up and I’m gonna tell you them now but they’re copy written so don’t copy me.

Certified Bangers up and coming features:

‘Singled Out’ – the post where I go downstairs and pick either a tape, CD or vinyl single that I bought over the last 12 years, post the mp3 and write about the track and why I bought it. (Warning: This is gonna be warts and all so beware of ensuing embarrassing tracks)

‘Word Up!’ – the post where I choose a bit of Hippedy Hop slang, give it’s meaning(s) and give you a tune that includes the word in context.

‘Back in the Day’ – I’ve really enjoyed listening to all of these older tracks in the top 100 so I figured I’d post a track a week that was released within the first 5 years of Hip Hop’s birth (which for arguments sake we’ll say is 1979 when a Hip Hop track was first recorded and released)

HHC Top 100 rap singles 30-21

#27&28 - A Tribe Called Quest

I’m back, hope you’re hungry. This is probably one of the best run of 10 songs in this countdown so far. I suppose it is expected as now we are nearing the top of the charts. 30 songs to go and I bet most heads could predict which tracks are contained in the higher end of the rundown. The thing I want to know is; what do you think the top 3 will be? Leave me a comment with your predictions.

30. Run DMC – Sucker MC’s (zshare) – 1983 – Run DMC (buy album here)
Personally I welcome the presence of instrumentation and melody in Hip Hop but I would never discredit the minimalist production styles of the 80’s. For younger Hip Hop fans Run DMC aren’t always easy to listen to, let’s face it in this day in age they are dated. Your lil’ sis could do these beats on a casio keyboard, anyone and their dads turntable can do baby scratches and the lyrics are not complex. Having said that, this song has something, that important je ne sais quoi and it is a classic.

29. Onyx – Slam (zshare) – 1993 – Bacdafucup (buy album here)
Woah, 10 years later and my, haven’t things changed? This song displays an entirely different vocal style to that of Run DMC; it’s altogether rugged and raw and downright hard to decipher. The beat is sample-tastic and very 90’s in a ‘mean muggin’ in the club’ kind of way.

28. A Tribe Called Quest – Electric Relaxation (zshare) – 1993 – Midnight Marauders (buy album here)
Hang on, 1993 also? Yes, and as far removed from Onyx as could be possible. It is sample driven but an entirely different vibe lounges around this track with it’s feet up. The tribe come totally horizontal here with some rhymes about getting girls. This is why all those other bloggers have ATCQ so high in their top albums lists.

27. A Tribe Called Quest – Scenario (zshare) – 1991 – The Low End Theory (buy album here)
Even the Tribe could produce something on its way towards the banging end of the 90’s Hip Hop spectrum. 2 minutes and 40 seconds in and, who’s that? Busta Rhymes! And he’s bringing it raw - pure rawness, rawity, rawkussnes and rawful. Bussa Buss entirely switches the Tribe vibe up and kills this track. This is why it’s hot.

26. De La Soul – Me, Myself and I (zshare) – 1989 – 3 Feet High and Rising (buy album here)
The more I immerse myself in this top 100, the more I realise that De La were visionaries. 3 Feet…really paved the way out of the 80’s for Hip Hop. If I weren’t only 3 when this came out I’m sure I would have appreciated its freshness and its change of direction even more than I do now.

25. Souls of Mischief - 93 til Infinity (zshare) – Ummm, 1993! – 93 til Infinity (buy album here)
Say wha’? It’s 1993 again, what a year and again another vibe. SoM bring us some sort of a sweltering, in the park tinged track. Basically, if you have a skateboard (you know one of those fat 80’s ones?) get it outta the cupboard and go and rip up a drained pool whilst playing this on your big shiny ghetto blaster or your prototype walkman.

24. Big Daddy Kane – Raw (zshare) – 1988
Sorry about the quality of this and that it has Kool G Rap on it. Ah no, that’s nothing to apologise for. If you were on the receiving of these rhymes, man, you’d be crushed.

23. Eric B & Rakim – I know you got Soul (zshare) – 1987 – Paid in Full (buy album here)
Rakim is the epitome of cool, which US rapper wouldn’t cite him as an influence or idol? The answer: One who models himself entirely upon Rakim. Respect Rakim.

22. Xzibit – Paparazzi (zshare) – 1996 – At the Speed of Life (buy album here)
To quote HHC (circa March 2002) ‘[Xzibit] will never be a part of the paid up superstar fraternity’ – Ha! How times have changed, how wrong they were. I believe I recently read that Xzibit was one of the many sellouts in the game and to me that equals ‘paid up’! I like Xzibit, I like his tunes and this is one of the best; the beat is so melancholy whilst X to the Z is agitated, furious and hungry.

21. Mos Def – Ms. Fat Booty (zshare) – 1999 – Black on Both Sides (buy album here)
If I were to compose one of those question tree things (like they put in tweenage girls magazines) to discern what type of Hip Hop fan the reader was I would definitely have a question that read: Are all 90’s Rawkus releases the definition of real Hip Hop. If the person answered ‘Yes’ they would get this answer in a pink box: ‘True Head: You love Hip Hop more than life itself. You are satisfied only by the best. Don’t listen to the backpack taunts, you know you’re better than the name caller. If the person answered ‘No’ then they would get this in a brown box: ‘Pop Tart: Go and listen to your thousands of bland mixtapes of dross from Dipset, 50 and that weird guy who raps about aliens and abortions. You obviously are happy having your head in the sand.’

Here endeth this post. Your favourite rap single not in here yet? Maybe it’s in the top 20, maybe it’s not – wait and see!

HHC Top 100 rap singles 40-31

#37 & 31 - NWA

*Please, please, please use the zshare links or else I won't be able to post properly once my bandwidth is used up on fileden.*

The tunes are getting bigger now yet there are probably still a few that you don’t have. I’ve been wondering what purpose this top 100 has been serving for people. Has it been a trip down memory lane? Has it been an opportunity for you to fill in gaps in your collection? Has it been an educational experience? Drop me a comment so I can understand more about my visitors. Today’s selection is particularly good:

40. Big Daddy Kane – Ain’t no Half Steppin’ (zshare) – 1988 – Long Live the Kane (buy album here)
In 88 this must have sounded a couple of years ahead of the game. A very laid back track with numerous samples, the strangest one being the serial killer with a knife sound effect.

39. Gang Starr – Mass Appeal (zshare) – 1994 – Full Clip (buy album here)
DJ Premier is one of those producers who will never be accused of whackness. He’s consistent on the whole and even when he makes a weak track the strength of his back catalogue holds him up. Him and Guru were a perfect pair, this track embodies the character of their music.

38. Eminem – Stan (zshare) – 2000 – The Marshall Mathers LP (buy album here or borrow it from your sister)
This is the track that sadly, you are most likely to have heard. Yes it is great, flipping Dido and kick starting her career was a great move and served its purpose well. I grudgingly accept that in fact, this does deserve to be here.

37. NWA – Express yourself (zshare) – 1989 – Straight Outta Compton (buy album here)
Ahhh, the first NWA track I heard and nothing but positive vibes from the boys. The critics of the time obviously overlooked this when they labelled NWA as troublesome, angry, vile and unsuitable.

36. Public Enemy - Public Enemy #1 (zshare) – 1987 – Yo! Bum rush the Show (buy album here)
A brilliant intro here, mimicked by Karl Hinds on ‘You don’ Know’ and the forerunner of tracks like ‘Super Sharp Darts’. Chuck’s distant vocals hit hard as usual.

35. Ultramagnetic MC’s – Watch Me Now (zshare) – 1988 – Critical Beatdown (buy album here)
‘Watch me now’ seems to sum up everything that Hip Hop had become in the late eighties. Funk samples and breaks, fast tempos and boastful rhymes.

34. Ice Cube – It was a good day (zshare) – 1993 – The Predator (buy album here)
This is another tune for a sunny day, perfectly mellow and uplifting, suited for a BBQ in the yard.

33. Public Enemy – Welcome to the Terrordome (zshare) – 1990 – Fear of a Black Planet (buy album here)
Wooooooo! This is music to go wild to! Contains the immortal line ‘Hear the drummer get wicked’.

32. De La Soul – Plug Tunin’ (zshare) – 1988 – Three Feet High and Rising (buy album here)
Why wasn’t this on the greatest hits? Weird.

31. NWA – F*** the Police (zshare) – 1989 – Straight Outta Compton (buy album here)
Ooof. Now that’s why those critics, politicians and anyone with white skin were scared of NWA, now that’s attitude.

Right, I'm off camping now so pray the sun shines for me.

10Shott on Blogspot

In anticipation of my interview with 10Shott (which may be happening in person tomorrow) I've been scouring the internet for bits and pieces. First off here are some more tracks from Tricksta's UK Runnings Series:

10SHOTT - Cool Down
10SHOTT - Eye Contact
10SHOTT & GABZ - Tell em who he is
10SHOTT & SIZE8 - Nobody Do It Like We (Dave Bass remix)

Next for you are some videos; this track is beautiful and, if you have just listened to the above tracks, it goes to show a sensitive, more thoughtful side to 10Shott. 10Shott is refreshing in that he can maintain credibilty whatever his subject matter where some artists become very cringeworthy.

Then there are freestyles in their multitudes. Seems that every 2 or 3 days 10Shotts management have uploaded an in-studio freestyle onto youtube. I'll put a few up here but do check them all out, they are seriously hot and fresh, they're like a breath of fresh air.

Story telling:

And with a nice piano (this verse is one of the songs above):

Again visit you tube for all of the freestyle series 'cause dis... a di real.

I'd better go write some questions.

HHC Top 100 rap singles 50-41

# 49, 47 & 42 - Cypress Hill

Now I’d just like to remind you that this list hasn’t been compiled by me. It was made as a result of a poll that the world’s original rap magazine Hip Hop Connection carried out amongst it’s readers. As it happens, a lot of these tracks would be chosen by me if I had the patience to create such a list of my own. I made it my mission to collect all the tunes together and to bring them to the bloggers of the world. Numbers 50 - 41:

50. Nasty Nas - Halftime (zshare) – 1994 – ‘Illmatic’ (buy here)
If only Nas hadn’t departed from this sound, Hip Hop would possibly be alive and kicking.

49. Cypress Hill - How I Could Just Kill a Man (zshare) – 1991 – ‘Cypress Hill’ (buy here)
The first of three tracks in this post means no-one can accuse Cypress Hill of being inconsistent, well, not during the early 90’s anyway, the early 00’s tell a different story.

48. Dilated Peoples - Work the Angles (zshare) – 1998 – ‘The Platform’ (buy here)
Another inclusion of Dilated is welcome here by me, a great track but I’m still not sure how it gets this high in the top 100 of all time.

47. Cypress Hill - Hand on the Pump (zshare) – 1991 – ‘Cypress Hill’ (buy here or up there)
Cypress show off their ability to create unique blunted funky tracks that involve copious amounts of weed and guns.

46. Run DMC - Walk this Way (zshare) – 1986 – ‘Raising Hell’ (buy here)
Pretty much the forerunner of nu-metal (the sort that have ‘rappers’ and guitar riffs). A classic in many circles particularly Dad circles (also affiliated to air guitar circles), rap circles and student night DJ circles.

45. Eric B & Rakim - Microphone Fiend (zshare) – 1988 – ‘Follow the Leader’ (buy here)

44. 2Pac - California Love (zshare) – 1996 – ‘All Eyez on Me’ (buy here)
Big ‘cruising with windows down in the summer’ tune here courtesy of Dre, Pac and Roger Troutman on the vocoder/talk box. You know what to do; go cruise with your windows down.

43. Hardnoise – Untitled (zshare) – 1990
UK, once again, sounding suspiciously late 80’s American.

42. Cypress Hill – Insane in the Brain (zshare) – 1993 – ‘Black Sunday’ (buy here)
Cer-lassic! A point of much reference in pop culture this track has somehow managed to sneak from hyped up stoner track to one of those songs that everybody just knows.

41. The Crooklyn Dodgers – Crooklyn (zshare) - 1994

Buckshot, Special Ed and Masta Ace come together exclusively for this track produced by Q-Tip. If you like ATCQ or Jurassic 5 then this should really tickle your fancy.

40 tracks left. I'm going away next week so wont get to post for that time, I'll try to do one more installment before I leave y'all.

HHC Top 100 rap singles 70-61 *updated*

#69. Kurtis Blow - The Breaks

Only the zshare links work on this post now, I know it takes a few more clicks but for free classic rap it's worth it isn't it?

The first three instalments have made a minor ripple in the blogging pond and I’m feeling quite pleased to know that people are appreciating this…but come on party people, drop a comment; it’s not hard to do – if someone gives you something you say thank you, right? Correct etiquette. Miniature rant over…let’s get on with it.

70. Jeru the Damaja – Come Clean (zshare)– 1994 – ‘The Sun Rises in the East’ (Buy here)
Another nod inducing mid 90’s affair here but with a peculiar spacious percussive beat. Contains slightly curious lyrics: “I blow up spots like the World Trade Centre”. Can anyone explain that to me please? I may just be being really ignorant.

69. Kurtis Blow – The Breaks (zshare) – 1979 – ‘The Breaks’ (Buy the 'Best of' here)
Classic Hip Hop party track with all the essential crowd involving elements such as saying ho and waving hands. Kurtis outlines a few cringe inducing situations and exitedly informs us that those are ‘The Breaks’, knowledge is born.

68. Man Parrish - Hip Hop Be Bop (zshare) – 1982 – ‘Hip Hop Be Bop (Don’t Stop)’ (Buy here)
This IS electro. A rambling but steadily changing collection of synthy basses and blips accompanied by the obligatory cowbells and claps make this somewhat akin to a delicious 3 course meal.

67. T La Rock – Breaking Bells (zshare)– 1986
Samples James Brown and contains rhymes about being superior; yup, it’s Hip Hop alright.

66. Nas – Represent (zshare) - 1994 – ‘Illmatic’ (Buy here)
Hands up who loves mid 90’s Hippedy Hop…mine were up but are down again so I can continue typing. I’m getting tired of writing about nodding my head, and those who have read all of this series will be tired of reading about it but I’m not tired of actually nodding my head. Everyone knows this is classic fare from a certified classic album so if you don’t have it, buy it! (And get me a copy too, track 1 is scratched on mine!)

65. Dr Dre – Still DRE (zshare) – 2000 – ‘2001’ (Buy here)
2000 seemed the perfect year for Dre to change the game again, it must of seemed that way to him too ‘cause that’s exactly what he did. Remember any other Hip Hop that came out that year? Or did it fall under the shadow of the good doctor?

64. LL Cool J – Going back to Cali (zshare)– 1988 – ‘Walking with a Panther’ (Buy here)

63. Audio Two – Top Billin’ (zshare)– 1988 – 'What More Can I Say' (Buy here)
Out of all the Hip Hop tracks I’ve ever heard I think this must be the most sampled/bitten/quoted by other rappers. Classic snippets include: “Down the road, to the bank”, “[insert name] is Chillin’…”, “Stop schemin’ and lookin’ hard”, “That’s how it is, you can ask…”, “What more can I say” etcetera. Even if you’ve never heard this song it will sound familiar to you if you’ve listened to a handful of rap albums.

62. Beastie Boys – Hold it now, Hit it (zshare)– 1986 – 'Licensed to Ill' (Buy here)
Have an Old Skool party with this track, in fact, have an Old Skool party with the whole album. And click on the Beastie Boys tag for my other posts on them!

61. Mobb Deep – Shook Ones pt. II (zshare)– 1995 – 'The Infamous' (Buy here)
The street anthem that everyone and their goldfish know thanks to Eminem and 8 Mile.

New readers: You may have guessed that there are a few more instalments before this, check them out here, here and here – or click on the HHC Top 100 rap singles label to see them all in sequence. See you next time when we reach the half way point.

iLike

We all like things don’t we? There is not a person who will read this who can’t say that they don’t like anything. Even someone who doesn’t like anything probably likes not liking anything.

When rappers make songs about things they like it’s incredibly cheesy, annoying and lazy or just refreshing that they’re being so positive. It must be easy to make an ‘I like…’ song because you can just lie about things to make it rhyme and it gives you the possibility to have a very broad range of subject matter. Here are three for you to start a collection with:

O-Fresh - I like that
An ice cream truck and a falsetto sunshine begin this track which is somewhere along the lines of LFO’s ‘Summertime Girls’ and other such white boy singy summery ‘hip hop’ tracks.

KJ-52 - Things I like ft. Goldin Child
Another white boy who likes Air Force Ones, Napoleon Dynamite and joking and laughing; honestly, it’s not me.

A Skillz & Krafty Kuts - Simple things ft. Real Elements
Your man here just likes simple things.

DJ Hoobydangler - I dont like cricket ft. 10CC
10CC - Dreadlock Holiday
This is one of the best summery tunes ever, it’s great to dance to (see series 1 of the Mighty Boosh) and it reminds me of Bec. Perfect pseudo-jamaican fun. Also check out the remix I did a while ago.

Sacha Baron Cohen - I like to Move It
Maybe I’ll get a slew of young bloggers hitting me up after this post. What an amazing track from one of my favourite animated films. Cohens character, King Julien is hilarious.

Up in Smoke

1st of July has arrived! As an avid non-smoker I welcome with open arms Britain’s smoking ban in enclosed public places. We’ll see if it actually has benefits (I’ve already encountered the haze of smoke at the door of a pub where the addicted convene even in the rain and cold) but in principle it’s good. Here are some smoking related tunes to celebrate:

DJ Deekline - I Don't Smoke
Warren G - Smokin' me out ft. Ron Isley
Rolf Harris - Nick Teen and Al K. Hall
Mr. Scruff - Sweet Smoke
Oasis - (As long as they've got) Cigarettes in hell

10 Shotts to the sky

10Shott is rapidly becoming one of my favourite UK MC's. Tricksta's UK Runnings mixtapes have brought him to my attention although I previously heard him on a Wolftown mixtape. I'm not really going to say much about him because these tracks (Culled from 'UK Runnings vol. 1' and 'UK Runnings: The National Anthem') give some background.

Conman & 10Shott - Nothin' but Love - Don't really get the 'Cheese' bit in the chorus.
10Shott - All in the Blood - A track about his musical background.
10Shott - Haters - One of the best flows I have heard for a long long time.
10shott ft. Conman - Vicious Circle

This track, also from UK Runnings and Wolftown, deserves a big mention, I love the laid back lazy flow of Reload.

Reload, Late & Conman - Old Skool

Go to Datpiff and search for 'UK Runnings' and you can download 5 of Tricksta's mixtapes, I seriously think they are probably the best UK mixtapes out there.

And...as a parting shot(t) I love Sways verse on Baby Blu's remix, especially the line "You'll have to come to terms with that, like a school bag". He's a clever boy. Go get 'The National Anthem' mixtape to hear that.

This must be Love

I remember watching a video either at school or at a youth group that was all about love and sex, you know how they do. Anyways, at the time it was made (it was outdated when we watched it then) Simon Mayo was the big cheese in the radio DJ world. He worked at Radio 1 and was excited to show us how he’d categorised all the records he receives into ditties about love and, as far as I can remember, ‘other’. He proved his point, there are a lot of songs about love, the majority of those played on Radio 1 in fact are about love.

Love is a powerful emotion so it’s unsurprising that there are so many tunes about it. It’s almost a requirement for an artist to make at least on track with ‘love’ in the title or somewhere in the lyrics. Here are 10 tracks, not a top 10, just 10 tracks about love that I like.

Busta Rhymes – I love my Chick
All there is to be said is ‘Yup Yup I love my chick’ and ‘comedy’.

Lady Sovereign – Love me or Hate me
So this isn’t strictly about love but it is in a way. Plenty of people do bother about whether people love them or hate them, most people are insecure in this way…and I just wanted to post the S.O.V.

Labi Siffre – Turn on your Love
This is the guy (not the song) Dre sampled on Em’s ‘My name is’ so you know he’s got that funky soul going on.

Huey Lewis & The News – The Power of Love
One of the songs going by this title, definitely the best by far. A great feel good tune perfect for driving.

K-Os – The Love Song
Hailing from Canada and contradicting the title in the first line (“This is not a love song, it’s a sonnet”) K-Os brings dusty beats and sing-song lyrics and if I remember correctly this was used in an advert that had a fly in it.

Peace 586 – Love’s still there
Not man/woman love this time but man/God love, 586 explains a relationship with God easily over this laid back, sweet, headnod beat.

Erick Sermon – Love iz ft. Al Green
A song about all sorts of ways that love is manifested all built around a sample of Al Green singing, you guessed it, ‘Love is…’.

>aRRO – I Luv U ft. Digga
Sharing a title with a Dizzee track could be a bad thing, but in this case it’s not. This is something a little different for y’all, from the vocoded fart bassline to the 80’s rock snare via the Grange Hill theme tune breakdown this is pure fun (and love).

Uffie – First Love
Yeah so posting Uffie is a little hypocritical after the whole Justice thing, especially since I got this off someone else’s blog but it fits right in here. This has 80’s written all over it and Uffie’s cheesy lyrics fit nicely with that but the fact they are slightly vocoded really brings it bang up to date, as does the broken electro beat.

Codebreaker – Are you ready 2 love?
This is probably thieved off another blog too but it’s infectious with more vocoder, funky guitars and bass and simple lyrics that I challenge you to not sing along to.

Collabo Connections #3 - Rodney P

The links - Rodney P made Mark B & Blade’s ‘We stay rough’ his own in, you know the year; 2001. Rodney also featured alongside Skinnyman and others on ‘Twilight of the Gods’.

2004 saw Low Life Records release Rodney’s album ‘The Future’ on his own Riddim Killa imprint. The two main MC collaborators on here are M.C.D. and Mystro but production comes from Joe Budha, Skitz, Pepper, Dobie, Stone and The Sea.

Before all of this Rodney made moves with Bionic (and Sipho and DJ Biznizz for a while) under the moniker ‘London Posse’ and had big UK tracks like ‘How’s life in London’, ‘Money Mad’, ‘Live like the Other Half do’ and ‘Pass the Rizla’. They also toured with Big Audio Dynamite (with Mick Jones from The Clash).

But all this pales into, well, not insignificance, but rather lighter shades of grey when compared to this list of collaborations:

1996
Bjork – I miss you (dobies rub)
1997
Us3 – I’m thinking about your body
The Brand new Heavies – Shelter remix
The London Allstars – London Convention ft. ESP, Fallacy, Funky DL, Kwestmann, MCD, Phoebe One, Q-Tee, Rodney P, Skinnyman, TY, Taipanic
1998
Dobie – Consider
Dobie – Luv n hate (can never be friends)
MSI & Asylum – Northernly winds ft. Rodney P, produced by Baby J
1999
Simply red – aint that a lot of love (desert eagle discs remix)
Pharoahe Monch - Simon Says Skitz remix ft. Rodney P & Roots Manuva
2000
Deckwrecka – Frontline ftr. Intenz, MCD & Rodney P
2001
Skitz – Dedication
Skitz – The Killing
2002
Deckwrecka – The Juks
Desert Eagle Discs – Bigger Better Deal (Big Deal mix)
Angie Stone – Brotha remix
Roots Manuva – Witness the swords ft. Big P, Blackitude & Skeme
DJ Die & Skitz – It’s on
Blak Twang – Dirty stop out uncovered
The Nextmen – I’ll try
Moorish Delta 7 – Where we from ft. Rodney P & Venom
Joni Rewind – Rude Boy Link ft. Rodney P & Cocoa Brovaz
2003
Nightmares on Wax – 70’s 80’s (upbringing mix) ft. Rodney P, Roots Manuva, Toz 180 & LSK
Roots Manuva – Swords in the dirt ft. Rodney P & Fallacy
Fallacy – Rap Folly
Freq Nasty – Come let me know
MJ Cole – Foot to the Floor
The Nextmen – Firewalking ft. Rodney P, Dynamite MC & Cutty Ranks
The Nextmen – Hear what I say
Various – Freestyle Frenzy ft. Canibus, Masta Ace, Maylay Sparks, Mr. 45, Rodney P, Scor-Zay-Zee, Scorpio, Skinnyman, Wordsworth
I Kamanchi – Sounds of the culture ft. Rodney P, Tali, Retna & MC Darrison
Gemma Fox – Messy
Nitin Sawhney – Rainfall
Joe Buhdha – The Big up (re-edit) ft. Estelle, Klashnekoff, Rodney P, Scor-Zay-Zee, Tempa & Wildflower
2004
Roni Size – No trouble
2005
Blacknificent 7 – ‘Ere comes the Black ft. Estelle, Jeff3, Karl Hinds, Roots Manuva, Seanie T, Skeme & Rodney P
David Banner – Ain’t got nothin’ (UK Remix) ft. Rodney P & Durrty Goodz
King Bicuit Time – C I Am 15 (C. Swing remix) ft. Braintax & Rodney P
K-Ners – I am K-Ners (remix) ft. Skeme & Rodney P
Timo Maas – Release
Keith Lawrence – Style & Fashion
2006
Stanton Warriors – Dip & get low
Braintax – What the Huh?
2007
Dub Pistols – Speakers and Tweeters (album)

Phew, I’m sure there’s more too. This is a busy man, if I was getting paid for this Collabo Connections series I’d be eating for a long long while. Just to point out a few collaborations that are a bit different: Bjork, Nithin Sawhney, Roni Size, Freq Nasty, Angie Stone, Simply Red & The Brand New Heavies. Rodney P certainly gets around.

The Blacknificent 7 - Ere comes the Black!.mp3
The Blacknificent 7 - Stay Black.mp3
Rodney P - The Nice Up.mp3
London Posse - Pass the Rizla.mp3
Rodney P - Big Tings (Mark B Remix).mp3
Rodney P - I believe.mp3
Rodney P - Can you see me.mp3

Right, now I'm off to post that list onto wikipedia.

Here are a few extras to fill some gaps in Collabo connections #1 & #2.

DJ Mentat - When I give my heart to you ft. Skinnyman.mp3
Omni - The Hot ft. Blade.mp3
Sway - Up Your Speed remix ft. Skinnyman & More

Collabo Connections #1 - Blade

Here begins a series which after some thought I realise could run for a long time. Collaborations and rap go hand in hand. There are few rap albums out there that don’t feature a cameo from another rapper or group. Some artists rely on paying a bigger rapper to help them either launch or revive their career. Other artists have the insight that fans want to hear two (or more) of their favourite MCs together on one track. Often collaborations are frowned upon for the first of the above reasons but I would be so bold to say that without them the rap world would be slightly boring at times.

There is no reason for starting this thread off with this artist other than I wanted to write a post on him anyway. Whilst meditating a post on Blade I realised he had worked with many other artists who in turn have worked with other artists, and so on. Then (slightly influenced also by ‘Comedy Connections’ off the telly and maybe my mums obsession with family trees) I came up with the idea of creating a string of posts that map out who’s worked with who and how hip hop eventually links up into one big family.

Growing up in Yorkshire and being born in 1984 means I missed out on all of Blade’s earlier work. I haven’t yet had a chance to familiarise myself with his back catalogue it so most of this post will be focussing on his work following Mark B and Blade fame.

In 1989 Blade released ‘Lyrical Maniac’, his first official single (go here for more info). In 1997 during depression he released ‘Rhyme Bomb’ (go here for more info).

2001 saw Mark B and Blade being played on Radio 1 with their track ‘The Unknown’ and then ‘Ya don’t see the signs’. The former was released with, amongst others, a remix featuring France’s premier rap collective; Saian Supa Crew. The latter hit the airwaves in the form of a rocky remix by Grant Nicholas of Feeder and frankly rock and rap rarely sounds this good together. The album, also entitled ‘The Unknown’ featured collaborations with Rodney P, Lewis Parker, Skinnyman, Chester P and Westwood (!).

In 2002 Blade reared his head on Lewis Parker’s ‘It’s all Happening Now’ on ‘The Chase pt. 1’.

Blade’s next big move was in 2004 with the release of ‘Storms are Brewing’, an album on which he collaborated with only session musicians and DJ’s, he produced and wrote it all himself. The flip to the single ‘Reflection’ was ‘Soldiers’, a track featuring Life (of Phi-Life Cypher) and Respek BA.

2005 was Baby J’s year in the UK and Blade was making moves with this modern superproducer. He appeared on J’s excellent album F.T.P. on Mumps (also featuring Laurissa). This hook up obviously worked so well that Blade decided Baby J would produce his entire second album, my personal favourite being the excellent ‘UK Hip Hop’, a track with which Blade hopes to educate people about the roots of rap in Great Britain simply by name checking all the greats (note – I’m not going to use that fact to make tenuous links to all and sundry in Brit Hop!).

2005 also brought us a solo album from The Scratch Perverts DJ First Rate. Blade cooked up a feast on the tasty ‘Hamburger’; a semi-hilarious ode to eating fast food on tour.

Blade has worked hard for decades now so please go buy some of his music if you do like what you have heard. Visit his website and go to the store.

I’m sure you’ll agree there are many roads I can now take and I shall endeavour to explore all of them. I’m pretty sure I’ll get quite confused on the way and we’ll see how truly intertwined the web of the hip hop spider is.

If, during any of this series, you have tracks and collabos to add then feel free to leave comments or drop me a line. I’ll gladly add them to expand the wealth of knowledge available here!

Blade - Lyrical maniac.mp3
Blade - Rhyme bomb.mp3
First Rate - Hamburger ft. Blade.mp3
Blade - Soldiers ft. Life & Respek BA.mp3
Lewis Parker - The Chase pt.1 ft. Blade.mp3
Mark B and Blade - The Unknown ft .Saian Supa Crew.mp3
Blade - UK Hip Hop.mp3

Every other household's got PCs

Downloads are killing music. How many times have you heard that? And do you agree? Have you actually thought about the implications of such an accusation? Why are MP3s apparently heralding the end of music in more tangible formats? Is it because all the kids are downloading illegal files for free and not contributing to the industry? No, in a word.

Little Johnny gets an MP3 player (its not an i**d, just a regular, generic MP3 player) for Christmas because they’re cool and his mates have them. He wants some music, he’s only 13 and hasn’t built up anything resembling a record collection. His choices are 1) get dads CDs and rip them, 2) go out to buy a CD, or 3) get on that computer and get loads of good tunes for free. We all know which one he opts for, but before we continue, lets explore his other choices:

Dad’s music; yes he likes it. The Beatles, Eric Clapton, Billy Joel, Simon and Garfunkel, Black Sabbath – a brilliant musical grounding for any aspiring music fan – but in front of his friends; No way Jose (as I believe all the ‘hip’ kids are saying these days).

A trip to HMV; he doesn’t get enough pocket money, he doesn’t have a paper round and mum certainly aint gonna buy him that Eminem album even though she can pick it up at Sainsburys for £7.97 along with the weekly groceries.

Downloads; yes he downloads. This kid is not ruining the economy, without the internet he would simply just not be listening to music. He would have no means of doing so. This child does not represent the people who buy actual CDs. He represents a new cross section of society; the youth who now have access to almost everything they want. Pre internet he’d be playing the CDs he got as presents or after a big save over and over again. And he would be appreciating it.

Appreciation. LP. These words are synonymous in my life. There are probably only two albums (and only one actually springs to mind) that I regret buying. The rest I cherish and enjoy for one reason or another. The complete embodiment of an artists work is a treasure. I remember sitting in my room with liner notes; scrutinising the artwork, production credits, who did the scratches, who played slide guitar on one track, how the line up changed for that particular song – I still do it now and it is nothing short of satisfying.

I contrast this to myself post-mad download spree. First 10 seconds - Whack. Next track – hmmm, OK I suppose. Delete or keep? Yeah I’ll keep, might not listen again. Next track – forgettable. Oooh this tracks good, I’ll remember that one but…let’s see what else I got. Skip. 30 seconds. Skip…and so on. An average mp3 player now will contain tracks in their thousands. How can one teenager possibly listen to and love all of these? They can’t, portable audio collections have meant music becomes a backdrop – it becomes another element of overall fulfilment that people seek in multiple pleasures. Will these kids ever sit down and devour the text and images whilst listening and consuming a whole product? Or will they be content in their skittering, whimsical, non-committal competition to have as many days worth of music on itunes as possible? Will they appreciate an artist and their work this way? I don’t think so. I have cherished and loved the albums I have bought. Many of them were the result of hard work, anticipation and deliberation. When downloading is as easy as right click, save target as, save; the personal value is immediately deleted, along with 50% of the downloads that didn’t sound good after 30 seconds.

The lack of appreciation leads to the increasing popularity of bands and artists being 'the next big thing'. These days anyone touted so is pretty much destined to fall off the conveyor belt before reaching anything resembling a career pinnacle. Their heady ascent to a plateau someway below the peak is their highlight, it is their achievement. The modern consumer wants more, wants it new and they want it now. Artists, and indeed albums, are not given the chance that past generations would have afforded them to mature. They are now flung into the spotlight in front of a baying crowd who 6 months down the line will reject them and will have had flirtations with numerous bands and several musical crushes since.

Downloading isn’t all bad, but it’s not all it’s cracked up to be. Album buying comes with a greater degree of certainty once you’ve heard a couple of cuts of it. Finding a tune or group you absolutely adore is easier now you can afford to explore. But don’t let these advantages put you off buying an actual product that you can hold in your hands. Multi-sensory stimulation is not a thing of the past; the internet is not the only medium available to us. You are depriving yourself, it wont affect the artist; they’re probably minted already, it’s only CEOs who care about their sales figures. And anway, if artists do want more money, they should do more shows instead of flooding the entire world with second rate product called ‘mixtapes’.

What do you think? Am I barking up the wrong end of the stick? Hit me up with some comments.