Bang! And the grime is on!

MP3's at the bottom of the page.

2Planets – ‘Do it now’

Oh. My. Goodness.
This had to make it onto here as I don’t think there is anything that would attain ‘banger’ status as well as this does, it demands it, and actually, I’d be scared not to give it that label.
To be honest, I don’t know what it is that 2Planets want me to do right now but within 20 seconds they convinced me that I should find out and do it. Aurally 2Planets are a burst dam in your ear canal, and the water is pure grime. T.Amore and Sublow sound like the spawn of M.O.P., conceived in the dirty dirty south and shipped over to Bedford, UK. The Crossfire production is big, hyped and almost drum ‘n’ bass sounding and can only have been designed to rip apart those speakers that come as standard in your mums Toyota Yaris. If you are weird enough, to put it plainly, to try listening to this quietly then you will discover that it is intrinsically loud, it is in its nature to smack your eardrums at any volume.

M.O.P. – ‘Live from Ground Zero’

I might as well carry on with some more certified bangers and who better to choose than M.O.P. I’m not sure what relevance, if any, this has to 9/11 but to quote Lil' Fames first words this has ‘funky beats’ and his ‘dope beat rhymin’ make it so simple’. So now you know. Also this is ‘the showstoppinest rockinest,non-stoppinest poppinest’ track ever…possibly.

O.K. who’s up next?

Bubba Sparxxx – ‘Heat it up’

It’s the most slept upon most under-rated and probably most interesting MC in the south. I’m not much of a fan of the southern sound; it’s not their accent, more the choice of beat. I can’t stand the double time, ear piercing tinny hi-hats and the overuse of synths. Bubba chooses more varied beats - I’m definitely a fan of the more country sounding guitar led tracks but this one is just straight up…er…heat. You wouldn’t be wrong to liken it to Lil’ Jon’s remix of Terror Squads ‘Lean Back’ with the flute loop, hand claps and bass drum being the major components. The difference being that even Bubba’s party raps are more intelligent than the bulk of the mainstream club fodder that you hear in the ‘other room’ in your local lava and ignite.

Bigg Steele – ‘In & Out’

Have you ever been to the dentist and had to have cotton wool swabs in your mouth? Bigg Steele has and he forgot to take them out, also in post production they seem to have taken down the pitch of his voice. Maybe that’s just his real voice. A heavy, unrelenting beat that has more than one loop drives this track and I’m pretty sure the chorus only came about because Bigg actually needed to catch a breath or two before he begun his next onslaught of thuggish utterances. The reversed drum loop that kicks off the third verse is the icing on the cake for me, those four bars just leave me feeling satisfied, safe in the knowledge that those drums will always be reversed and that I can always listen to it again.

The Game – ‘It’s so hard’ (I made that title up)

What with my dislike of southern hip hop I kinda shot myself in the foot with the last two tunes. Here’s a nice piece of westcoast rap from our home slice The Game. This man is single-handedly heralding in a new rap sub genre; I like to call it ‘fan rap’. And yes, he does mention Dre, of course he does, he loves the bloke. Henessey, jail, pistols, hoodrats, snoop de villes and NWA - subjects of choice for any commercially viable rapper are all covered here, oh and Dr. Dre. Craig David’s ugly brother provides the second verse - I don't like Bank$ on the whole but he rides the beat well with a strange, snappy emphasis on the 13th beat of each bar. The beat is just so good that the quality of the rappers doesn’t matter that much.

Karl Hinds – You don’ know

‘In this industry mans get used like roll ons…NEVER!’
Back to the UK again and K Dot H steals the intro off ‘Public Enemy Number 1’ and manages to continue it into an entire banging track. Woo! This track is for those who ‘don’ know’ (his spelling) and by the end you know that he likes shouting lyrics in a likeable high pitched London/Patois kind of accent. Also check out his ‘Don Gramma’, it gives the meaning of UK slang words (A condom is a rubba), a bit like the late Big L did with ‘Ebonics’. And now, on to the underground…

Aesop Rock – ‘Fast Cars’

Yeah! Def Jux alternative kinda guy Aesop Rock raps over a nice steady beat and talks about ‘scrubbing piss with a toothbrush’; all totally listenable and lovely. I don’t know what he’s on about cos it’s not really about fast cars, danger, fire or knives but every time you listen to it you can pretend he makes sense and feel smug that you are listening to something that could be construed as clever and intelligent, that’s what we all like isn’t it? It’s cool to listen to music like this because it’s not gangsta rap isn’t it? Yes, it is, but no-one knows why.

Here’s something new for you, something somewhat more head noddish and, let’s not beat around the bush, something more Albino.

Brother Ali – ‘Truth is’

Brother Ali is apparently an Albino Afro-American (please don’t hate on me if I got that wrong) and he has a nice flow and a good ear for an appealing tune that is a totally finished product. And as I have made a habit of quoting lyrics, ‘I want more’, I really do, I want his new album ‘The undisputed truth’ and like he says ‘Hot songs are supposed to be the voice of our soul’, it’s good to hear a rapper doing what they claim to be doing.

So we’ve had UK, southern, westcoast, underground and for the last track we really go underground…to the grave actually. Hip Hop’s obsession with the deceased has resulted in the recent posthumous hype of J Dilla. To be truthful I’d never really heard of him before and so I thought I’d check him out. The hype is justified and I certainly want to add ‘Ruff Draft’ to my CD collection where I can stash it away next to Pac, Biggie and Big L…oh and the Run DMC album I cut into thirds. Anyway, this track is nice, probably due to the sample, but sampling aint always easy.

That’s it I think, but I just had a thought, dya remember when Westwood got shot? Haha, that was funny. If you think I’m cruel then check out the DVD that came with ‘This is my demo’ by Sway, witnessing wigga Westwood slapping the camera and ruining biggz’z’z rap leaves you wishing that the ride by shooting had been successful. Drop the bomb….!

Brother Ali - Truth is

Karl Hinds - You don' know

The Game - So hard ft. Bank$ & Balance

M.O.P. - Live From Ground Zero

2Planets - Do it now

Bigg Steele - In & Out

Aesop Rock - Fast cars

This week's CD

Most weeks I make a journey to Birmingham and back, which gives me two and a half hours each way to listen to music uninterrupted. Most weeks I make a new CD of downloads or songs I haven't listened to for a while that I love and sometimes I pick out CDs that I just haven't listened to much. Since these mix CDs are a pretty accurate record of what I am listening to currently, I thought I'd put them on here for others to (possibly) enjoy.


RJD2 - Beyond the beyond
Hmmm...if you know RJD2 then you'll know this is typical him: a Hip Hopish broken beat with musical melodies and sweet voices singing. No rapping - Aceyalone ain't here on this one, although do check that collab out.

DJ Vadim - I got to Rock ft. Zion
Nice beat, nice laid back westcoast flows. Good Hip Hop.

!!! - Heart of hearts (The brothers mix)
Dirty funky electro beats... it's a good job that it's long, cos I want as much of it as possible! Oh, and you probably know, but it's pronounced 'chk chk chk', not 'that band with three exclamation marks'.

Leo Roy - Pound for Pound
Funky.

Gruff Rhys - Gyrru Gyrru Gyrru
Singer from Super Furry Animals makes a fun song in another language that you have to sing along to.

Jason Mraz - Wordplay
Don't know who this fella is but I like this song and what it's all about. You can't go wrong without a few oohs and ahhs, but Kaiser Chiefs take note: you can overuse them!

Hadouken! - That boy that girl
Zane Lowe played this as my car radio turned on when I took a CD out and I carried on listening. Heard it played at Club NME a week later. I like the song and the sentiment.

Maximo Park - Our Velocity
Great band keeping it real with their accents. A more mature song from the Geordie band's new album.

The Notorious BIG - Party and Bullshit (Ratatat remix)
"I was a terror since the public school era..." Ten years this month since 25 year old Biggie was shot. His legend does live on, without wanting to sound too melodramatic. Great remix from Ratatat - check out their other stuff for more of the same (minus Biggie lyrics).

Just Jack - glory days
Saw Just Jack live a few years ago supporting French Hip Hop group Saian Supa Crew. He had a live band and his 'The Outer Marker' material impressed me so much I bought the CD on the night. Although a bit more radio friendly now, this reminds me why I liked him first.

Calvin Harris - acceptable in the 80s
Bit of Radio fodder here, but ear pleasing nonetheless. Listen to it now before you hear it so many times that you hate it. I don't listen to the radio so I'm OK.

The Shins- A comet appears
A nice way to finish off the CD.

Now I'm off to burn myself a new version of this CD, as I just scratched mine by using a sharp permanent pen. Grrr.

Klashnekoff - Lionheart: Tussle with the Beast

Klashnekoff's 'Focus Mode' mixtape left me wanting more, whilst at the same time feeling content that I could also just hit the play button again. 'Lionheart: Tussle with the beast' is The Black Russian's first full-length set and is exclusively produced by Joe Buhdha. Klashnekoff is one of my favourite UK artists; I feel I can trust him to bring out something that I will enjoy listening to, and I bought this on pre-order on the strength of that.

So, what's Klash like once his music is translated into album format? Impressive really - you can't expect another 'Murder' or 'Jankrowville', but the way the album flows is good, although I've never been a fan of skits.

The track that stands out to me, the one I would skip to, is 'Sayonara' with Terra Firma (Kyza and Skriblah). Thankfully, this was recorded before Kyza's departure from TF. He spits pure fire over the piano driven loop. The three had a real group dynamic; cadence, voice and flows complementing each other well. This track leads to 'Bit by Bit' via some skit, which is another more classic sounding Klashnekoff track and more heat.

I could mention other tracks here, as I pretty much enjoy listening to all of them, but look out for the funky beat of 'The Revolution', the laid back reggae styles of 'Refuse to Die' and 'Bun Dem' featuring Capleton, or the rowdy 'Terrorise the city' with none other than Kool G Rap. 'Can't you see?' is a banging street anthem and 'Make P's' showcases Klashnekoff's thoughtful lyrics well.

One track I would advise you to skip would be 'My life', which has some lovely melodies going on, but the part of the beat that has been looped doesn't quite convince me that it's a whole product; rather that there are two separate parts, a good bit and a bad bit! Chances are, you will have heard the story told here anyway (every rapper seems to like to tell us their life story with their own twist). To be fair, Klash does talk about some negative experiences with positive and mature hindsight.

For a Klashnekoff fan, nay, a UK Hip Hop fan... make that just straight Hip Hop fan, this won't dissapoint - for me it's quickly become an essential. The US should hear this. They're not producing much at the moment that shows as much diversity, and most sets from across the pond are not ones that I can listen to in one sitting.

It's the K, lash your rassclart neck off...

Welcome

Here is my new blog, inspired by other blogs that have inspired me. I've been listening to loadsa good music recently courtesy of blogs - they are the future. I don't intend the downloads to bankrupt artists, but rather to gain them a little more exposure. Mp3 will probably only be available for limited time, so if you like something, buy it; if you don't, delete it.

Aidan

Rewd Adams Interview

In the week of the ‘Rewd Awakening’ release we caught up with Rewd Adams to talk about everything from the history to the future, Radio 1 to religion and Prison to Plan B……….

For people who don’t know your history can you please tell us where it all started for you in terms of first putting the pen to pad?

I tried a little bit of drum and bass mcing when I was about 20 under the name Creeper. It kind of got semi serious to the stage where I was performing at some up and coming jams in London. I went away for a bit ‘on a holiday’ then when I came back I was less into the drum and bass and more into UK hip hop. Some guys that I was running with put me onto guys like Jehst and Taskforce. From then I thought yeah I want to be doing this. It was about 2004 when it all started.


Im not a fan of labelling MCs into categories. I much prefer to hear where they came up from and let people build their own assumptions. Please tell us your background in music in general?

I don’t really come from a musical background at all. I grew up listening to DnB, jungle UK music and my Dad was banging out a lot of rock and roll like Cream and people like that. I grew up on UK stuff. Right now I listen to a lot of soul and old RnB. Things like Marvin Gaye, The Isley Brothers and Earth Wind And Fire.

Going back ‘Project A' was your first official release and saw you putting your vocals to beats by the already well established producer Chemo. How did this connection come about?

I met Chemo through Manage who was my next door neighbour back in the day. Chemo was engineering for Manage and Wordsmith. From there we started recording. I’d been recording with chemo for about 5 years now. Between Chemo, Beat Butcha and The Last Skeptik they taught me everything I know.


Your first mixtape was called ‘Hunger pains’ seems to be a statement of being hungry for this rap game. Was the process of making ‘Hunger Pains’ a long graft??

Nah not really. That one was relatively quick. We banged out Hunger pains in a year. It was a quick project especially compared to the new one. The new one was a lot more graft, stress in the studio, studio time, money spent on recording. This ones been a lot harder. Hunger pains was more of a quick thing. It was a lot of freestyles. This time around its original music with me trying different styles of song writing and hooks and what not. Hunger pains was relatively easy graft wise.


I remember the newspaper ‘the independent’ featured ‘Skandal’ and gave ‘hunger pains’ the album of the week. This mixtape also went on to receive mentions in RWD Mag, Time out Magazine, DJ Mag, Radio 1, Kiss and a few other outlets. Why after such publicity under the ‘Skandal’ moniker did you decide to change to Rewd Adams? Has it hindered you by gaining the publicity under ‘Skandal’ and then changing your name?

I'll be honest with you I think it has hindered me. Shortee Blitz said ‘its gonna be like pressing the reset button in your career’ and ive kind of seen that. In a mad way its almost like ive been put back to the beginning. But the New project will help push it back and hopefully ill get back on track after that. Its just about keeping on griniding. The reason for the change was cos Skandal is quite a common name bruv. A lot more common than you may realise. Theres a drum and bass Skandal, a dubstep Skandal. There’s another guy called Skandal Da Rukus Man who’s worked with DJ Hi-Tek who’s obviously one of the best producers ever hip hop wise. It’s a really common name and I don’t really like that. I don’t like being bunched up with a load of other people. I wanted something that was a bit more original, a bit more me. Something a bit more like an ‘artist’ than a ‘spitter’ so to speak. REWD is also an anagram or my first name DREW and ADAMS is my second name.



You recently put up a video for the track ‘Spaceship’ which was taken from the hunger pains mixtape. Why after so long and changing your name did you decide to do this? was it perhaps a way of going full circle and relating your new material to the past release?

I think what it was me and global faction, especially global faction, wanted to add some visuals to a track we really liked. The good thing is Hunger pains obviously did really well but a lot people seemed to think ‘Spaceship’ was new. I guess a lot of people didn’t hear it. We got some dope visuals to a dope track and put it out there. Its all good promotion for the new name.


How do you feel things have changed between ‘hunger pains’ and ‘Rewd Awakening’?

No change at all bruva really; Just the name. Im still the same guy, the same artist, the same guy trying to learn. Im just trying to progress mate. I keep learning and getting better and better and progressing. That’s always the main aim.
The new project ‘Rewd Awakening’ is going to be given away as a free download.


How does it feel to make such a solid release and give it away for free? Especially considering ‘hunger pains’ was released as a physical CD and by the looks of it established itself quite well?

Yeah it done well. You know what I actually don’t feel bad about giving this way. I feel quite good about it. Its a little less pressure on the pockets in terms of pressing up a CD and selling them and what not. I mean it will be a bit bad not being able to sell things at shows. But the Free download there to put name out a bit more, get more interest, then we can progress nicely onto the next project. I feel real comfortable about it…… It was good for Radiohead. If they can give it away why cant i?


Do you feel that the current climate of internet promotion this forces artists into that way to release?

In a way Its being pushed that direction but I don’t necessarily think everything should be given away for free. I swear didn’t the record companies just do that thing with Jessie J? As soon as it was on the radio they started selling it straight away. So maybe that will be what starts to happen cos as soon as people hear something and they like it they want to buy it straight away. Everyone wants things now now now. As long as people can capitalise on the want then hopefully people wont have to give away music free all the time.


Is there a plan for a full CD purchasable perhaps for the fans?

Yeah, Id like to. Id like to do a physical disk with some bonus tracks and maybe a T Shirt or something like that but that costs a lot of money to press up and seeing as Im not really making money off it id have to maybe ill have to find someone to invest in that.


On 'Drift Away' you only sing the hook and let Black The Ripper handle the bars. This is also a fairly short tune. Listening back do you ever think about going back and maybe vocalling a verse yourself?

Yeah the plan originally was to get two verses from Blacks on the track but I really wanted to put this thing out and move on and Blacks wasn’t ready for the second verse. When he gets the verse maybe we will put it out again like that. And maybe do a video.


What with you strictly singing the hook?

Yeah. I think blacks sounds good coming in after me and leading me into the hook. We already done a similar structure on the track ‘Everyday’ and I felt that worked well.


Recently ‘Drift Away’ was featured on Radio 1 thanks to the well established blogger JP Patterson. How did that come about and make you feel?

Yeah defiantly man I met JP a While ago. I was with Charlee ( Vision Promotions) in East London outside a launch. I met him briefly and put the hunger pains CD in his hand. I basically bugged him for about a year to listen to ‘Hunger Pains’. He didn’t get round to it but then he heard some new stuff from me and really liked it. We sent him the new stuff and he loved drift away so he put it on. He has a new slot on radio 1 where he is a street correspondent. Its always good to hear ya stuff on radio ya know.


Yeah course

And they said some nice things about the track so….


How does it make you feel to have the song being recognised for your singing rather than rap credentials? Does it encourage you to maybe take that avenue a bit deeper?

Defiantly 100% cos my heart is in singing. It feels like something new to me. Ive been rapping for a while and I feel I get bored easy. I feel like ive been spitting bout pain and complaining a lot so I want to get into the singing a bit more and kind of branch out and learn new things. Its defiantly inspired me to keep doing it.


And it worked for Plan B init?

Yeh but I don’t wanna be like Plan B tho cos obviously im a white guy from London so the comparison will be there. I don’t want to do it like him ya know. I don’t wanna be that guy whos known for copying anyone else.

And you will easily get pigeon holed into that as well init.

Yeh defiantly but Im lucky that Ive got good people to keep me from going down that route cos I probably would anyway ha ha. They will keep me on the right track.




You mention prison in a couple of your songs. Do you feel prison and the means what got you there has taught you anything?

Yeah definatly man I’m a totally different person. I was a wild kid. I caused a lot of trouble. Ive come out of that. It changed me. It doesn’t change a lot of people. It was like a holiday camp bruv. It was like a hotel. I had sky TV in my cell. A playstation. But they do education in there. They pulled us in one time and played us a video. The video was saying 80% of you will come back. Ive got a rebellious thing inside me when im told im gonna do something ill do the opposite so when they said I’d come back it made me want to prove them wrong. That changed me. Now Ive got a lot to live for. My music is a beautiful thing.


After experience this as a means to reform you for your activity do you feel this is a beneficial way to reform people who have strayed from the straight way of life?

I think it does help some people. Some people I don’t think it does. You learn a lot in there. I learned a lot of crafty tricks. Its like if u put a lot of scientists in the same room they are gonna teach each other stuff. Its all human rights as well. But what can you do. It’s a nanny state init.

You mention your married on the track ‘Go’ talking bout the wedding ring and a wifey. Do you find it hard to balance rap and supporting a living for them?

That’s ironic that I got to listen to that everytime. Never rap about a woman bruv.

What did it all go wrong yeah?

Yeah it all went Pete tong bruv. Its ironic. The first time I mention a girl then a couple of months later its all gone kaput.


Was it actually your wife?

Na it was all metaphorical.


Industry snakes and hate is a subject commonly raised by yourself. Also in the tune ‘Rewd Awakening’ you allude to the fact that a PR company has snaked you. Is this something that has affected you in a big way?

A small altercation happened with an individual person. It wasn’t a whole PR company. But yeah I think these things affect me quite badly. When it happened I felt I didn’t want to even come out my house. Im sensitive to those things cos I come from a place where people don’t do that. I come from a place where if theres a problem people go and sort out their issues themselves. Theres none of this talking behind backs. Unfortunately it has affected my music cos I write about what I go through. I wish it didn’t affect me but it did. If it didn’t happen maybe I wouldn’t sound so bitter.


On Struggle You say ‘I don’t need religion / I don’t need to be brainwashed’ but use also metaphors about angels and saying how you will see people u have lost, mentioning purgatory. You also say a prayer on the track promise. Is the statement about not needing religion more an attack on how its affected your brother?

It is a bit of a dig actually. A dig at my brother who is a pastor. We got problems and I write about how I feel. We don’t see eye to eye. We don’t talk anymore. Im not an atheist im agnostic. And when I say about religion I mean more about set rules to follow. I have faith. I do have issues with Cristianity also. Im an opinionated mother fucker. Ive had brushes with religion but for that one is more taking shots.


As a rapper you bring a lot of honesty in your bars especially when it comes to your personal life such as admitting your faults and analysing yourself publicly. How does it make you feel to give away so much of yourself in your music?

Boy you know what for me it’s a therapy init. Ya know. If I didn’t put it out I probably wouldn’t put out anything at all. Unless it would be just random bars. I feel good about it cos it helps me.


As for features you seem to collaborate with some big names. Was artists like P money and Little D people you approached or is there a personal history there?

Little Dee ive known for quite a long time and obviously he is in a crew with P so I met P through Littles. Blacks came about more from me wanting to work with him. Big up Faith SFX and Loudmouth who made that happen. We are working on stuff at the minute as well.


As far as the beats go I noticed a name I have never come across before. A producer called ‘Sivey’. I am more than impressed with his contribution to the album. Please can you tell us about ‘Sivey’. How did you come across him?

You better get to know him. The guy is a monster. He is very very talented. He is little known but has produced for Lowkey, Immortal Technique, Nino Bless. Hopefully people will pay a little more attention to him after this. He is part of the Louis Den beat league. I came across him on myspace and hit him up. He is all round and is very very good. Super talented.


Whats the plan for yourself for the next say year. I guess up till now you have been working hard to get this album finished. Now do you sit back and wait to see what attention you receive? Or do you already have that next move in mind?

We are already onto the next one bruv. This album has dragged on a lot behind the scenes I want to get it out and move onto the next project. Hopefully the free download will help to build a buzz for the next one. Within the next year or so you will hear a proper album from me and that’s wat im really looking forward to.


On the whole over the last 2 years UK music has stepped up a lot. Do you think the attention is healthy?

Defiantly very very healthy and I feel you have got grime to thank for that. A lot of the die hard UK Hip Hop fans might not be happy about that but yeah. The success that grime has achieved has helped shine a light on the whole scene. Its all known as ‘Urban’ so grime. I want everyone to succeed. It’s a beautiful thing. Lets hope it keeps moving and we don’t see a drop. No genre bashing. If you go listen to little Dee feat Wretch there is a track called 'Proper'. I feel that is how UK hip hop sounds now days.

Lastly when established rappers mention artists I feel it sheds light on people that are perhaps under the radar to other people. I have already mentioned and will defiantly be looking out for more by Sivey. Is there anyone else that is off the radar so to speak you feel deserves a mention?

Off the cuff there is Nate and Jimi Jitzu and Kozzie.

Bless for giving us your time.


Download REWD AWAKENING here:
http://www.rewdadams.com/

AD - Check out the Rewd Awakening review here: Rewd Adams - Rewd Awakening (Review)